Todorov suggested that conventional narratives are structured in five stages:
- A state of equilibrium at the outset.
- A disruption of the equilibrium by some action.
- A recognition that there has been a disruption.
- An attempt to repair the disruption.
- A reinstatement of the equilibrium.
This type of narrative structure is very familiar to us and can be applied to many 'mainstream' film narractives.
I also came across Propps theory. Propp was a Russian critic, he was interested in the narrative of folk tales. He noiced that often many Folk tales were similar in a variety of areas, he identified a theory about characters and actions as narrative functions. According to Vladimir Propp, characters have a narrative function; they provide a structure for the text.
The typical characters he found were:
-The Hero- a character that seeks something.
-The Villain- who opposes or actively blocks the heros quest.
-The Donor- who provides an object with magical properties.
-The Dispatcher- who sends the hero on his/her quest via a message.
-The False Hero- who disrupts the hero's success by making false claims.
-The Helper- who aids the hero.
-Her Father- who acts to reward the hero for his effort.
In a struggle scene Propp suggested this theory:
- There is a struggle between the hero and the villain.
- The hero is branded.
- The villain is overcome.
- The state of disorder is settled.
And the recognition scene:
- At this stage in the film the hero is recognised.
- or the false hero or villain is unmasked.
-As well as the false hero could be punished in this scene.
- Or the hero attains the reward and they live happily ever after.
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